I skipped out on Diva’s “moving” challenge because I prefer to do my tangling while sitting still. But this week’s challenge, “circles” was right in my wheelehouse (see what I did there?)
I started with this for my string:
The outermost ring is a CD — the template I usually use for the Zendala things I do obsessively and that I’ll get around to posting someday. The other circles are various other round things lying around — a toy cookie from my kids’ play kitchen, the inner circle of the CD, one of those plastic baby ring-stacker rings. So that was fun. Rather than doing any specific tangles, I decided to do a variation of Stricles: I drew a wobbly sort of grid across it, then filled in the cells with various solids and stripes — and one column of Nipa.
I left it unshaded for now. I might go back and shade some more later, but I kind of like the plain look so far.
The focus-tangle for this one is a cool little thing called “Pearly” that I just encountered. The pearls reminded me of Purk, always a favorite of mine, and the star shape of the string made me think of Arukas and Auraknot. I also used a tangleation of Pand I’ve worked up that I call Rzr.
Hello one and all! I’m actually posting challenges from the last 2 weeks because my life has been so crazy lately. I suppose I’ll start with the more recent ones:
Diva Challenge 268
This challenge was called “A bit-o-black.” I decided pretty quickly that I wanted to do something with a lot of black pearls. so I focused on orb-y patterns. The string, randomly selected from Tanglepatterns.com, is number 142. It was fun, because I got to play with some of my favorite tangles — Boo*Kee, Oybay, Purk, and Onamata. I also worked in some Quibble, Akoya, and one non-orb pattern, D-Vine. The part that was less fun was filling in all the orbs. My ultra-fine-tip black sharpie was all like, “ha ha, nope,” so I ended up using a gel-ink pen, which I think ended up okay. For shading I went with a darker pencil than the HB I usually use — I think it was a 3B.
Made by Joey 113
This one was a lot of fun. It’s based on a Roman Numeral XII; the number is a lot more obvious than it is in a lot of my others I’ve done for this challenge series. The tangles were Chemystery, Cruffle, Garlic Cloves (really they look more like watermelons or beach balls to me, but I like the pattern anyway), Ipso, and Verdigogh. All of these are fun except for Verdigogh which I’ve never gotten along with for some reason. I think it ended up working for me this time, though. The real fun was the coloring. For the atoms or whatever they’re supposed to be in Chemystery, I used my Sharpies. I wasn’t actually expecting them to be so translucent, but I kind of like how they look like multi-colored bubbles. For the “ladders” of Chem and the “stalk” of Verd I used some metalic Crayola markers, and I’m pleased with how they turned out. For the rest I used my favorite colored pencils: before I started Zentangle earlier this year, I was on a real coloring kick. Looking at this now, I realize that I never really shaded it, but I actually kind of like it this way.
Now let’s step in the wayback machine:
Diva Challenge 267
This one is a duotangle of Drupe and Pokeroot. I’ve never been a huge fan of Pokeroot, to be honest, but I like a good challenge. Once again, the coloring was the real fun here. Oh, and yeah, some of those are actually Pokeleaf instead of Pokeroot.
Joey Challenge 112
This one is a Monotangle on Knightsbridge. It’s one of those basic patterns that I actually try not do too often so that I don’t get too much in a comfort zone with it. I took some inspiration from Margaret Bremmer’s expanded guide to the tangle — if you haven’t checked those out you really should. I made an attempt at Knightspeek, which I thought was really cool since it resembles a pattern I learned and loved in elementary school — and I kind of screwed it up made it uniquely my own through unplanned variations. I also attempted some mashups of my own — Knightsdox (Paradox with alternating Black and white — needs some work) and K’nzeppel, which should be self-explanatory. I also did a “Knightsbridge inside of Knighstbridge” I’m calling “Knightsception” (and yes, I know that’s not really what “Inception” means). And since this was all otherwise black and white, a little color up top.
All week it’s been either raining or looking like it’s about to rain. Today (Friday) and tomorrow are the only days in the next two weeks that didn’t have rain forecast. Welcome to Spring, Texas style.
Did I go a little overboard with it? Probably. But it was fun. For the string, I started by tracing the lid to one of my kids’ snack cups in 4 interlocking circles, then drew a freehand loopy spiral running through it. The result was the sort of wild double spiral thing I think I ended up with.
BB Okay, weird tangent — This is one of the first tangles I taught myself way back a couple of months ago. Later, when I read the description on TanglePatterns I was surprised to see it described as looking like “a picket fence gone wild.” I’d always pictured it as an uneven string of disc-shaped beads seen from the side. Interesting the different tricks perspective will get you when it comes to tangles.
La Bel When I copied this one out the first time, I wasn’t real careful with my handwriting and spent a while wondering why this tangle was called “label.” I added a little hook thing to it to make little tear drop shapes.
Organic This one didn’t come out quite like I wanted it to — the colored in part is supposed to look like a hole the leaves are coming out of — I didn’t get that this time.
Seven tangles suggested this one, and I think I used all of them. My Kewpie doll can be sent to my office at UT Arlington, in Carlisle Hall. These sere a good mix of ones I’d never used and ones that I consider some of my favorites. They are:
Betweed One of my favorites
Demi My first time using this one. To add a little interest, I turned the striping around on it.
Gingham Truth in advertising on this one.
Mooka Gotta admit that this isn’t one of my faves. Still, I think I managed to do okay with it.
Ragz Another one I really like. This would be a fun one to monotangle some time.
Zinger I must admit that I had scoffed at this one a bit. Aren’t tangles supposed to be non-representational, thereby disqualifying ones that are pretty much just pictures of flowers? But I ended up having more fun than I expected drawing it.
Part of a continuing personal challenge; see the previous entries here, here, and here
12. ᛄ Ger [j], “year, harvest”
I admit I’m cheating on this one a bit phonetically. The “ger” rune represents the sound [j], represented in English by the consonant “y.” But there isn’t a “j” rune, or at least not one representing the “j” sound [dʒ]. The sound itself is relatively common in Old English, but it is typically represented with the combination “cg.” Interestingly, many of the words containing this cluster have survived into modern English basically unchanged other than in spelling, with “dge” taking the place of “cg” — ecg/edge, ricg/ridge, hecg/hedge. In the Anglo-Saxon alphabet, “g” was usually used to represent [j], although it also could be the same “g” we use now as well as a horrible voiced velar spirant which I have mentioned previously and that fortunately evolved into a “w”, which is why we say “own” and not “o[horrible Gollum-like sound]n.”
TL;DR, there are a lot of good “J” tangles and it’s my challenge so I get to do what I want.
Jujubeedze It’s funny how the little beads in this ended up making eyeballs for weird little faces in the Jajazz…
13. ᛇ Eoh [eo], “Yew”
This is a bad picture and I realize now that the ZIA itself isn’t really complete — I should have shaded it. Oh well, I can always update it later.
There should really be a line over the “E” in “eoh” here, since it’s a long e — that’s long in quantity, not quality: think of the difference in the vowel of “mate” (short) and “made” (long). This is important since there is also an “eoh” rune with a short “e.” Confused? Well, you’re not alone. The original Germanic rune from which this is descended is “Eihwaz,” and if that sounds familiar, maybe you’ve read Harry Potter and the Order of the Phoenix:
I mistranslated ‘ehwaz,’” said Hermione furiously. “It means ‘partnership,’ not ‘defense,’ I mixed it up with ‘eihwaz.’
In this case it means “Yew,” not partnership or defense. And it represents the diphthong “eo,” the vowel in the first syllable of “Beowulf” as well as “mayonnaise” depending on how you pronounce it (I’ve always pronounced it “MAN-aze” or “MAY-oh” though really I try to avoid pronouncing it at all since I detest the stuff.) Regardless, there aren’t any “Eo” tangles that I know of, and since there is an “E” rune that I’ll be posting eventually, I went with “Y” as in “yew” as in the letter I should have used for “ger.”
Tangles yew-sed (see what I did there?)
Yew Dee which is just a great grid tangle. There are a lot of ways you can vary it, too, and I’ve used the grid seed as a string. I might do a monotangle of it at some point.
Yincut The grid’s kind of wonky on this, but I like it.
14. ᛈ Peorth [p], meaning unknown
The name of this rune is “peorth” which is not, so far as anyone can tell, a word in Old English. Per Wikipedia:
The name is not comprehensible from Old English, i.e. no word similar to peorð is known in this language. According to a 9th-century manuscript of Alcuin (Codex Vindobonensis 795), written in Britain, in the Gothic alphabet, the letters p (based on a Greek Π) and q (an inverted Π) are called “pairþra” and “qairþra”, respectively. One of these names clearly is derived from the other. However, the names are not comprehensible in Gothic either, and it is not clear which is derived from which, except that we know that the Elder Futhark had a p, but no q rune. In any case, it seems evident that peorð is related to pairþra. The Anglo-Saxonfuthorc adopted exactly the same approach for the addition of a labiovelar rune, ᛢcweorð, in both shape and name based on peorð, but unfortunately, we do not know if the Gothic runes already had a similar variant rune of p, or if the labiovelar letter was a 4th-century creation of Ulfilas.
So it appears that what we have here is rune representing an unknown word in a dead West Germanic language that may or may not have been derived from a rune representing an unknown word in a dead East Germanic language, both of which had similarly unknown variants. Good times! Really, a “p” rune” wouldn’t have been all that useful to the Anglo-Saxons, as the sound “p” was fairly uncommon and rarely if ever appeared at the beginning of the word. One possible meaning is “pear.” I like pears, and I can draw a pear shape, so that influenced my framing of this.
Palrevo: It took me a long time to figure this one out, both its design and its name, which Linda Farmer insists is so funny (by the way, you should hear my kids say “so funny!” It’s so… uh, humorous). It wasn’t until I put the clues together that I realized what was so special about the name and the pattern both. I don’t want to spoil it though…
Pand: This is another wonderfully versatile grid patterns. If you haven’t used it, you really should.
Paradox or should I say Pear-adox? No I shouldn’t. This is absolutely my favorite tangle ever. What I love is how it can make the original frame you put it in disappear completely. My only problem is that I like to alternate clockwise/counterclockwise Paradox shapes, only I forget which way I went last. The last time I did this, I actually drew faint arrows in each shape to remind me of which way I’d be going.
Pea-nuckle My dad taught me how to play Pinochle when I was a kid, but it’s been so long ago that I have no clue how to play it now. I mostly remember that it used a weird deck (two of each face card, I think, and no cards below nine?) and that he told me he used to play it with friends in the Baptist Student Union building (yes, there are Baptists who play cards. I was raised Baptist and it was there that I learned to play Spades) and that passersby who tried to follow what they were playing would be hopelessly confused.
That has nothing to do with this tangle other than the name. It’s a good pattern.